V for Vendetta

V for Vendetta is a ten-issue comic-book series written by Alan Moore and illustrated mostly by David Lloyd, set in a dystopian future United Kingdom imagined from the 1980s about the 1990s. A mysterious revolutionary who calls himself "V" works to destroy the totalitarian government, profoundly affecting the people he encounters.

The series depicts a near-future Britain after a limited nuclear war, which has left much of the world destroyed. In this future, a fascist party called "Norsefire" has arisen as the ruling power. "V", an anarchist revolutionary dressed in a Guy Fawkes mask, begins an elaborate, violent, and theatrical campaign to bring down the government. Warner Bros. released a film adaptation in 2006.

Publication history

The first episodes of V for Vendetta originally appeared in black-and-white between 1982 and 1985, in Warrior , a British anthology comic published by Quality Comics. The strip became one of the most popular in that title; during the 26 issues of Warrior several covers featured V for Vendetta .

When the publishers cancelled Warrior in 1985 (with two completed episodes unpublished due to the cancellation), several companies attempted to convince Moore and Lloyd to let them publish and complete the story. In 1988 DC Comics published a ten-issue series that reprinted the Warrior stories in colour, then continued the series to completion. The first new material appeared in issue #7, which included the unpublished episodes that would have appeared in Warrior #27 and #28. Tony Weare drew one chapter ("Vincent") and contributed additional art to two others ("Valerie" and "The Vacation"); Steve Whitaker and Siobhan Dodds worked as colourists on the entire series.

The series, including Moore's "Behind the Painted Smile" essay and two "interludes" outside the central continuity, then appeared in collected form as a trade paperback, published in the US by DC's Vertigo imprint (ISBN 0-930289-52-8) and in the UK by Titan Books (ISBN 1-85286-291-2).

Background

David Lloyd's artwork for V for Vendetta in Warrior originally appeared in black-and-white. The DC Comics version published the artwork "colourised" in pastels. Lloyd has stated that he had always intended the artwork to appear in colour, and that the initial publication in black and white occurred for financial reasons because colour would have cost too much (although Warrior publisher Dez Skinn expressed surprise at this information, as he had commissioned the strip in black and white and never intended Warrior to feature any interior colour, irrespective of expense).

In writing V for Vendetta , Moore drew upon an idea for a strip titled The Doll , which he had submitted at the age of 22 to DC Thomson. In "Behind the Painted Smile", Moore revealed that the idea was rejected as DC Thomson balked at the idea of a "transsexual terrorist". Years later, Warrior editor Dez Skinn allegedly invited Moore to create a dark mystery strip with artist David Lloyd.. He actually asked David Lloyd to recreate something similar to their popular Marvel UK Night-Raven strip, a story with an enigmatic masked vigilante set in the United States in the 1930s. Lloyd asked for writer Alan Moore to join him, and the setting developed through their discussions, moving from the 1930s United States to a near-future Britain. As the setting progressed, so did the character's development; once conceived as a "realistic" gangster-age version of Night-Raven, he became, first, a policeman rebelling against the totalitarian state he served, then a heroic anarchist.

Moore and Lloyd conceived the series as a dark adventure-strip influenced by British comic characters of the 1960s, as well as by Night Raven , a Marvel UK strip which Lloyd had previously worked on with writer Steve Parkhouse. Editor Dez Skinn came up with the name "Vendetta" over lunch with his work colleague Graham Marsh - but quickly rejected it as sounding too Italian. Then V for Vendetta emerged, putting the emphasis on "V" rather than "Vendetta". David Lloyd developed the idea of dressing V as Guy Fawkes after previous designs followed the conventional superhero look.

During the preparation of the story Moore made a list of what he wanted to bring into the plot, which he reproduced in "Behind the Painted Smile":

Orwell. Huxley. Thomas Disch. Judge Dredd . Harlan Ellison's "Repent, Harlequin!" Said the Ticktockman , Catman and The Prowler in the City at the Edge of the World by the same author. Vincent Price's Dr. Phibes and Theatre of Blood . David Bowie. The Shadow . Night Raven . Batman . Fahrenheit 451 . The writings of the New Worlds school of science fiction. Max Ernst's painting "Europe After the Rain". Thomas Pynchon. The atmosphere of British Second World War films. The Prisoner . Robin Hood. Dick Turpin...

The political climate of Britain in the early 1980s also influenced the work, with Moore positing that Margaret Thatcher's Conservative government would "obviously lose the 1983 elections", and that an incoming Michael Foot-led Labour government, committed to complete nuclear disarmament, would allow the United Kingdom to escape relatively unscathed after a limited nuclear war. However, Moore felt that fascists would quickly subvert a post-holocaust Britain. Moore's scenario remains untested. Addressing historical developments when DC reissued the work, he noted:

Naïveté can also be detected in my supposition that it would take something as melodramatic as a near-miss nuclear conflict to nudge Britain towards fascism... The simple fact that much of the historical background of the story proceeds from a predicted Conservative defeat in the 1982 General Election should tell you how reliable we were in our roles as Cassandras.

The February 1999 issue of The Comics Journal ran a poll on "The Top 100 (English-Language) Comics of the Century": V for Vendetta reached 83rd place.

Plot

On 5 November 1997 in London, a mysterious cloaked figure wearing a Guy Fawkes mask and known as "V" rescues a young woman, Evey Hammond, from a gang of police agents (known as "Fingermen") who intend to rape and kill her after arresting her for prostitution. After dispatching most of the Fingermen, V heads to a rooftop with Evey and detonates a bomb inside the abandoned Palace of Westminster, emulating the failed 1605 Gunpowder Plot. V takes Evey to his secret underground lair, which he calls "The Shadow Gallery". Evey tells V her life story, describing the nuclear war of the late 1980s which eventually led to the fascist coup d'état in Great Britain, after which the authorities rounded up her father as a political prisoner and presumably killed him.

The task of investigating V's bombing falls to Eric Finch, the head of "The Nose" — the regular police-force — and an experienced investigator who serves the government out of a love of order rather than from political conviction. Through him readers meet other figures in the Party, including the Leader, Adam Susan, who has a fixation with the government's computer system, Fate; Dominic Stone, Finch's partner; Derek Almond, head of "The Finger," the secret police; Conrad Heyer, head of "The Eye," the visual surveillance branch; Brian Etheridge, head of "The Ear," the audio surveillance branch; and Roger Dascombe, in charge of "The Mouth," the branch in charge of broadcasting propaganda.

V next blows up the Old Bailey, and confronts three Party figures to accuse them of and execute them for past atrocities: Lewis Prothero, the propaganda broadcaster who serves as the "Voice of Fate"; Bishop Anthony Lilliman, a paedophile priest who represents the Party in the clergy; and Delia Surridge, an apolitical doctor who once had a relationship with Finch. V drives Prothero insane after incinerating his prized doll-collection before his eyes; he kills Lilliman by forcing him to consume a cyanide-laced communion wafer; and Dr. Surridge dies from a lethal injection (however, because Surridge expressed remorse for her previous actions, she experiences a painless death). By the time V kills Surridge, Finch has discovered that all of V's victims worked at a concentration camp near the village of Larkhill, and alerts Derek Almond to V's plans. Almond surprises V attempting to escape from Surridge's home. Unfortunately for Almond, he had forgotten to reload his gun after having cleaned it earlier that same night, and V kills him.

Finch begins to read a diary kept by Dr. Surridge, discovered at her home. It reveals all of the victims' previous histories with V during his time as an inmate at the Larkhill camp. V had forcibly taken part in a medical experiment run by Dr. Surridge in which he was given hormonal injections with a drug called "Batch 5." Eventually V, known to the camp's staff as the "Man from Room Five," began tending a garden with camp commander Prothero's approval, using related chemicals to later break out of the camp while attacking camp guards with homemade mustard gas and napalm. V, the only prisoner to have survived the death camp, chose to eliminate its surviving officers to prevent the government from discovering his true identity. Finch notes that while V made sure Surridge's diary was easy to find, he had also ripped out pages that may have contained information about his identity. With no records of his rea